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dc.creatorКарастојковић, Зоран
dc.creatorПерић, Радиша
dc.creatorКарастојковић, Павле
dc.creatorПолић, Сузана
dc.date.accessioned2021-01-12T13:44:17Z
dc.date.available2021-01-12T13:44:17Z
dc.date.issued2020
dc.identifier.isbn978-86-6179-075-1
dc.identifier.urihttps://cer.ihtm.bg.ac.rs/handle/123456789/4074
dc.description.abstractIn Christianity the cross is principaly simbol of beleiving, representing the crusification of Christ and his pain for all. The methodology of making and design of cross primarly depends from the purpose: is the cross used as religious object, or monument, in lithurgy or as a jewel. So, the purpose is determining an adequate design of cross and than the methodology of production. Crosses were producing from ancient times from different materials, from stone, wood, metal (especially precious), crystals, on textile, and now even from a plasticssr
dc.language.isosrsr
dc.language.isoensr
dc.publisherБеоград : Друштво за етичност и вредновање у култури и науци и Централни институт за конзервацијуsr
dc.rightsrestrictedAccesssr
dc.sourceЗборник апстраката - Друга национална конференција Методолошка истраживања у херитологији и новим технологијамаsr
dc.subjectкрстовиsr
dc.subjectматеријалиsr
dc.subjectизрадаsr
dc.subjectдизајнsr
dc.subjectПравослављеsr
dc.subjectcrossessr
dc.subjectmaterialssr
dc.subjectproductionsr
dc.subjectdesignsr
dc.subjectorthodoxsr
dc.titleMethodology and design in production of ortodox golden crossessr
dc.typeconferenceObjectsr
dc.rights.licenseARRsr
dcterms.abstractKarastojković, Zoran; Perić, Radiša; Karastojković, Pavle; Polić, Suzana;
dc.rights.holderДруштво за етичност и вредновање у култури и науци и Централни институт за конзервацију, Београдsr
dc.citation.spage74
dc.citation.epage80
dc.type.versionpublishedVersionsr


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