In Christianity the cross is principaly simbol of beleiving, representing the crusification of Christ and his pain for all. The methodology of making and design of cross primarly depends from the purpose: is the cross used as religious object, or monument, in lithurgy or as a jewel. So, the purpose is determining an adequate design of cross and than the methodology of production. Crosses were producing from ancient times from different materials, from stone, wood, metal (especially precious), crystals, on textile, and now even from a plastics
TY - CONF
AU - Карастојковић, Зоран
AU - Перић, Радиша
AU - Карастојковић, Павле
AU - Полић, Сузана
PY - 2020
UR - https://cer.ihtm.bg.ac.rs/handle/123456789/4074
AB - In Christianity the cross is principaly simbol of beleiving, representing the crusification of Christ and his pain for all. The methodology of making and design of cross primarly depends from the purpose: is the cross used as religious object, or monument, in lithurgy or as a jewel. So, the purpose is determining an adequate design of cross and than the methodology of production. Crosses were producing from ancient times from different materials, from stone, wood, metal (especially precious), crystals, on textile, and now even from a plastics
PB - Београд : Друштво за етичност и вредновање у култури и науци и Централни институт за конзервацију
C3 - Зборник апстраката - Друга национална конференција Методолошка истраживања у херитологији и новим технологијама
T1 - Methodology and design in production of ortodox golden crosses
SP - 74
EP - 80
ER -
@conference{
author = "Карастојковић, Зоран and Перић, Радиша and Карастојковић, Павле and Полић, Сузана",
year = "2020",
abstract = "In Christianity the cross is principaly simbol of beleiving, representing the crusification of Christ and his pain for all. The methodology of making and design of cross primarly depends from the purpose: is the cross used as religious object, or monument, in lithurgy or as a jewel. So, the purpose is determining an adequate design of cross and than the methodology of production. Crosses were producing from ancient times from different materials, from stone, wood, metal (especially precious), crystals, on textile, and now even from a plastics",
publisher = "Београд : Друштво за етичност и вредновање у култури и науци и Централни институт за конзервацију",
journal = "Зборник апстраката - Друга национална конференција Методолошка истраживања у херитологији и новим технологијама",
title = "Methodology and design in production of ortodox golden crosses",
pages = "74-80"
}
Карастојковић, З., Перић, Р., Карастојковић, П.,& Полић, С.. (2020). Methodology and design in production of ortodox golden crosses. in Зборник апстраката - Друга национална конференција Методолошка истраживања у херитологији и новим технологијама
Београд : Друштво за етичност и вредновање у култури и науци и Централни институт за конзервацију., 74-80.
Карастојковић З, Перић Р, Карастојковић П, Полић С. Methodology and design in production of ortodox golden crosses. in Зборник апстраката - Друга национална конференција Методолошка истраживања у херитологији и новим технологијама. 2020;:74-80..
Карастојковић, Зоран, Перић, Радиша, Карастојковић, Павле, Полић, Сузана, "Methodology and design in production of ortodox golden crosses" in Зборник апстраката - Друга национална конференција Методолошка истраживања у херитологији и новим технологијама (2020):74-80.
,